Volume Three

On the winter solstice, Gerald reflects on the shortest day of the year and the turning point it represents. He describes the town of Snorewood, its people, and their routines, focusing on the Drowsy Bean coffee shop and Bev’s Books. Gerald highlights the December shelf at Bev’s Books, a curated selection of eight books that Bev believes capture the essence of the season.

Gerald reflects on his unfinished book about ordinary evenings and Bev’s decision to put his self-published book about Snorewood on the shop shelf. Priya, at the Steady Ground studio, celebrates the last class of the year with her students, appreciating the right moment. Doug, at the pier, establishes a new category for rating ice, finding beauty in the thin, clear December ice.

Gerald finishes the first draft of his book about the history of ordinary evenings in Snorewood. He reflects on the significance of capturing the seemingly mundane details of life, which are true and worth noticing. The book is complete, capturing the essence of the town and its people, and Gerald shares the final sentence with Bev, who confirms it is the right ending.

Gerald finished the first draft of the history of ordinary evenings, a 311-page book, and shared the last sentence: “And the evening continued.”

November

In Snorewood, November is a distinct season characterized by its early darkness, cool weather, and the absence of tourists. The town embraces the season, with residents finding warmth and comfort in coffee shops, reading, and the familiar rhythms of daily life. The episode follows Priya, Bev, and Maureen as they navigate their evenings, highlighting the unique atmosphere and sense of community that November brings to Snorewood.

Maureen, a barista, prepares a special latte for Franklin, a high school English teacher, acknowledging the significance of November and the importance of consistency in certain things. Meanwhile, Doug, a regular at the coffee shop, visits the pier in the November rain, reflecting on the lake’s true nature and correcting his previous underestimations of its beauty and significance. He revises his notebook entries, changing the colour rating of the November lake from four to seven, acknowledging its true value.

Nik reflects on his life in Snorewood, finding contentment in the ordinary moments, like sitting on a bench in the rain. He realizes that the town, with its people and the lake, is already complete and that he is part of that completion. Maureen, at the Drowsy Bean, decides to keep a painting on display, acknowledging its significance beyond its monetary value.

Snorewood is enveloped in November darkness, with residents engaged in their evening routines. Bev reads Gilead, Doug corrects his notebook, Priya enjoys dinner with her family, and Terry reviews a proposal. Nik, on the waterfront bench, experiences the lake’s true essence, realizing its November beauty is a seven, not the four Doug had recorded.

Nik’s Mother

Nik’s mother, Vera Petrov, arrives in Snorewood to visit her son. She arrives at the farmers market early, exploring the stalls and buying butter tarts from Gabrielle, who recognizes her as Nik’s mother. Vera enjoys the butter tarts, appreciating the slower pace of life in Snorewood and understanding why Nik enjoys it there.

Nik brings his mother, Vera, to Snorewood to help her relax and enjoy life. They visit the Drowsy Bean, where Vera meets Maureen and enjoys a unique drink. They then go to the beach, where Vera meets Doug, the lake-watcher, and decides to join him that evening. Finally, they visit Bev’s Books, where Vera finds a book she’s been searching for and enjoys the shop’s atmosphere.

Vera visits a small town and meets Doug, who rates the lake’s colour, choppiness, smell, and overall experience every evening. She joins him at the pier, observing his methodical approach and learning about his commitment to the ritual. Inspired by Doug’s dedication, Vera rates the lake herself, finding it “honest” and giving it an eight, a first-time rating that reflects her unique experience.

Vera Petrov visits Snorewood, spending time with her son Nik and his friends. She experiences the town’s “honesty” and starts a journal, inspired by the ordinary evenings she observes. The episode ends with a shared appreciation for the town and its people, as they reflect on the significance of seemingly ordinary moments.

The bench

The episode begins with a description of the town’s farmers market on a May morning, highlighting the familiar sights and sounds. The focus then shifts to Nik’s interactions with Gabrielle at the Ouellette booth, showcasing a growing warmth between them.

Maureen creates a new spring drink called “May” at The Bean, capturing the feeling of relief from winter. The drink is a hit, selling out quickly. Priya reflects on the growth of her yoga studio, appreciating the progress and the support from Marcus. Bev curates a May-themed book shelf at her bookstore, featuring books about paying attention, and helps a customer find a new read.

A plaque was unveiled on a waterfront bench, commemorating the lake’s beauty. The plaque reads, “Nothing worth noticing happens only once. This is where we pay attention.” The unveiling was attended by a small group, including the bench’s designer, Terry, and Bev, who had a personal connection to the bench. Doug, a regular observer of the lake, rated the May lake’s colour, choppiness, and smell, finding it a returning seven, a sign of the beginning of something new.

The episode concludes with a focus on the May lake and a bench with a plaque that reads, “Nothing worth noticing happens only once. This is where we pay attention.” The characters reflect on the significance of ordinary moments and the importance of paying attention to the world around them. The episode ends with a sense of continuity and a promise to return to Snorewood.

The Last Good Evening

In late September, the tourist season in Snorewood winds down, leaving the town to its year-round residents. Maureen, at The Drowsy Bean, enjoys a quieter evening with familiar faces and a meaningful conversation with Jonah from Groundwork Coffee. Meanwhile, Priya and Marcus at Steady Ground reflect on the successful summer season, particularly the popularity of their new deck, and prepare for the winter months.

Priya discusses adding a Thursday yoga class due to high demand. Bev curates the September book shelf, selecting titles that reflect the season’s weight and humour. Doug, observing the autumn lake, notes its distinct colour, choppiness, and smell, rating it an eight for the first time. The civic texture and memory subcommittee, including Terry, Sandra, Phil, and Gerald, discusses a monument concept, with Terry proposing a bench.

Nik, the town historian, reflects on his decision to stay in Snorewood, a small town where he has found a sense of belonging and purpose. He shares his observations about the town’s residents, their routines, and the small details that make Snorewood unique. Nik emphasizes that the true history of a town lies in its ordinary evenings and the everyday moments that shape its community.

How to Choose Earbuds for Audiobooks & Podcasts 

Without Falling for Music Marketing

If you have spent even five minutes shopping for earbuds online, you have likely been buried under an avalanche of marketing jargon. Words like “sound stage,” “dynamic range,” “pristine treble,” and “punchy bass” are splashed across every box and product page.

But here is a hard truth that the audio industry doesn’t want you to hear: Most of that doesn’t matter for spoken word audio.

If you primarily listen to audiobooks, podcasts, lectures, or news commentary, you are navigating a very different buying landscape than a hardcore music fan. When you are listening to a narrator tell a story for six hours straight, you don’t need to feel the kick drum in your chest. You don’t need to hear the second violinist breathing. You need clarity, endurance, and sanity.

For spoken word entertainment, the decision comes down to just four factors: Comfort, Battery Life, Convenience, and Cost.

These four pillars are intertwined. You rarely get one without sacrificing another. But if you understand how they work together, you can avoid spending $300 on features you will never use. Let’s break it down.

Comfort: The Secret Is Frictionless FiT

When I listen to an audiobook, I am usually in for the long haul. I am not just listening for a three-minute song on the treadmill. I am listening while doing yard work, washing dishes, falling asleep on an airplane, or walking the dog for an hour. That means those little buds might be in my ears for four, five, or even six hours at a stretch.

Comfort is not a luxury for spoken word listeners. It is a necessity.

Here is the tricky part: every ear is unique. What feels like a fluffy cloud in my ear might feel like a torture device in yours. There is no universal “most comfortable earbud.” However, I have discovered a critical engineering principle that separates okay earbuds from great spoken-word earbuds.

The real secret is to avoid earbuds that rely on friction to stay in place.

Think about the standard rubber-tipped earbud that you twist into your ear canal. Those rely on friction the rubber pressing against the walls of your ear canal to hold tight. This has two major drawbacks for long-form listening:

  • Moisture destroys the hold. As you wear them, your ears generate moisture (sweat, oils). That moisture turns friction into a slip-and-slide. Suddenly, you are pushing the earbuds back in every five minutes.
  • Motion jars them loose. Chewing, walking, or smiling can break the friction seal.

What you actually want is an earbud that doesn’t rely on friction, but rather rests passively in the cartilage of your outer ear. This is the genius of the classic Apple AirPod design (the hard plastic “slip-fit” style). The earbud sits in the bowl of your ear, held gently by the tragus and anti-tragus cartilage. It isn’t jammed into the canal; it is resting in the architecture of your ear.

Does this design leak sound? Yes. Does it have less bass? Absolutely. But for spoken word, you don’t need a perfect seal. You need to forget you are wearing them for three hours. Look for “semi-in-ear” designs or open-fit designs if comfort is your absolute priority.

Battery Life: Don’t Let the Case Lie to You

Nothing ruins a great chapter twist like the robotic voice saying, “Battery low. Please recharge.”

When shopping for earbuds for spoken word, you need to look at two distinct numbers, and you need to know which one matters most:

  • Number One (The Buds): The hours of listening the earbuds will deliver on a single charge (the battery built into the earbud itself).
  • Number Two (The Case): The total hours including the charging case (the backup battery in your pocket).

Here is the mistake most people make: they see “24 hours of battery life” on the box and click “Buy.” But those 24 hours usually break down into 5 hours of buds + 19 hours from the case.

For spoken word listening, the single-charge number is king.

Why? Because you cannot hot-swap earbuds in the middle of a podcast. If you have a 10-hour flight and your buds only last 4 hours on a charge, you will be sitting in silence for 6 hours while they sit in the case recharging.

My hard rule: Never buy earbuds that offer less than 5 hours of continuous playback on a single charge. Ideally, look for 7 to 10 hours.

Using my AirPods as an example: they offer 5 hours of listening on a single charge and 24 hours total including the case (meaning the case can recharge them about five times). Five hours is the absolute floor. If you see a cool pair of $30 buds that only last 3 hours per charge, leave them on the shelf. They are not ready for the long-form listening lifestyle.

Convenience: The Ecosystem Tax (Worth Paying)

Convenience is the hardest factor to measure on a spec sheet. You cannot quantify “frustration.” But you know it when you feel it.

For spoken word, convenience breaks down into three specific behaviours:

A. How easily do they connect to my phone?

With music, you might tolerate a 15-second Bluetooth pairing dance because you are going to listen to an album you love. With spoken word, you often listen in short bursts—10 minutes here, 15 minutes there. If it takes 30 seconds to pair, you will stop listening. You want “instant on.” Open the case, put them in your ears, and hear the audio before the podcaster finishes their intro.

B. How reliable is the connection?

You cannot have dropouts. A dropped beat in a song is annoying. A dropped syllable in an audiobook mystery means you missed the killer’s name. You need a rock-solid connection that works through walls, pockets, and while your phone is in the backyard and you are in the kitchen.

C. How usable are the physical controls?

This is where many budget earbuds fail the spoken word test. You need to be able to Pause. Constantly.

If you are listening to a book and the delivery driver knocks, you need a tactile, reliable way to pause instantly. Capacitive touch controls that activate when you brush your hair? Terrible. Small buttons that require you to jam the bud into your ear? Worse.

The Ecosystem Effect:

Here is the inconvenient truth. If you are deeply embedded in an ecosystem (Apple, Samsung, Google), the earbuds made by that ecosystem usually offer the best convenience. Apple AirPods with an iPhone are magical. Samsung Galaxy Buds with a Galaxy phone are similarly seamless. The pairing is instant, the controls are integrated into the OS, and the reliability is top-tier.

You pay a “convenience tax” for this. It is often 50% more expensive than comparable generic hardware. But for spoken word listeners who value sanity over savings, it is frequently worth it.

Cost: The Law of Diminishing Returns

Finally, we get to the wallet. Cost is deeply personal, but the market has clear rules of thumb.

Generally speaking, you get what you pay for. A $15 pair of no-name earbuds from the gas station will fail on comfort, battery, and convenience. They will hurt your ears, die in 90 minutes, and refuse to pair on a Tuesday.

However, the spoken word listener has a massive advantage over the audiophile. You do not need to chase the high end:

  • The Sweet Spot ($50 – $80): This is your zone. At this price point, manufacturers have figured out how to make comfortable ergonomics, decent battery life (5-6 hours), and reliable Bluetooth 5.0+ connections. You will get a great sounding product for podcasts and books. Voices will be clear. Sibilance (that harsh ‘S’ sound) will be controlled. You will be happy.
  • The Danger Zone ($100 – $200): In this range, you are paying for better drivers, active noise cancellation (ANC), and advanced codecs (AAC, aptX). Do you need ANC for spoken word? Maybe if you commute on a subway. But often, ANC creates “ear pressure” that is uncomfortable for long sessions. You are paying for music features here.
  • The Luxury Zone ($200+): Beyond $200 (AirPods Pro 2, Sony WF-1000XM5, etc.), it becomes incredibly hard to identify the sound quality difference *for human speech*. You are paying for luxury materials, brand tax, and marginal improvements in bass response. You do not need this for a narrator reading a thriller.

My advice: Spend at least $50 to avoid the junk. Try very hard not to spend over $150. The return on investment for spoken word audio flatlines above that threshold.

The Final Verdict

The marketing departments want you to think you need a concert hall in your ears. You don’t. You need a comfortable chair for your brain.

When you walk into the store or scroll through Amazon, ignore the “dynamic range” and “sound stage” stats. Ask yourself four simple questions instead:

  1. Comfort: Do they rest in my cartilage, or do I have to jam them into my canals?
  2. Battery: Do they last at least 5 hours on a single charge?
  3. Convenience: Will they instantly pair with my phone every single time?
  4. Cost: Am I staying in the $50–$150 “sweet spot”?

Find the earbuds that check those boxes, and you will have a listening companion that lasts through every chapter, every commute, and every chore. And isn’t that the whole point of a good story?

The Butter Tarts

Nik, determined to buy butter tarts from the Ouellette booth, arrived at the market at 10:52 am, hoping to beat the rush. Despite arriving early, he found only one butter tart left by the time he reached the front of the line. After purchasing and savouring the single tart, Nik decided to set his alarm earlier for next week’s market visit.

Gerald, the town historian, gives a talk at the library about the history of Snorewood, emphasizing the importance of the town’s “texture” – the accumulated ordinary evenings and daily routines. Inspired by Gerald’s talk, Terry proposes creating a monument to honour this civic texture. Doug, who has been documenting the lake’s details for eleven years, reflects on the uniqueness of each evening and how the lake’s ever-changing nature challenges the notion of an “ordinary” evening.

On a warm July evening in Snorewood, the lake is a ten for colour, a rare occurrence after eleven years. Bev, Priya, and Nik each experience the evening differently, finding significance in the ordinary. Gerald, documenting the town’s history, realizes the value of capturing the texture of everyday life.

The Historian’s Problem

Gerald, the town historian, is preparing for a public lecture on the history of Snorewood. He struggles to decide where to begin the lecture, as the town’s history is complex and multifaceted. After consulting with Bev, the town’s resident thinker, Gerald decides to start with the lake, as it is the foundation of Snorewood’s existence.

Dani, working at Snorewood, reflects on her temporary job and the town’s agreeable nature that keeps people from leaving. Priya, a yoga instructor, finds solace in the lake’s constancy and teaches stillness to counteract her past restlessness. Doug, dedicated to his lake ratings, experiences a rare nine-out-of-ten rating for the lake and storm’s collaboration. Nik, seeking company during the storm, visits The Drowsy Bean, where Maureen recommends a special drink.

Nik experiences a profound connection to Snorewood during a storm, finding solace in Maureen’s unique drink and the town’s familiar rhythms. Gerald, the town historian, reflects on the significance of this ordinary evening, recognizing it as a testament to Snorewood’s essence and the interconnectedness of its people. He decides to begin his upcoming talk about the town with the lake, acknowledging its central role in shaping Snorewood’s character.

Opening Day

Snorewood’s farmers market opened on a Saturday in early June, featuring 32 vendors including the Ouellettes with their famous butter tarts. Priya ran a booth for Steady Ground, offering information and coffee, with her daughter Asha’s help. Meanwhile, Groundwork Coffee opened on Lakeview Avenue, drawing a line of eager customers to its new location.

Maureen, the owner of The Drowsy Bean, visits a new coffee shop, acknowledging its appeal despite her own shop’s success. Doug, a regular at the farmers market, rates the evening lake as an eight, noting the arrival of summer colours and smells. Bev, the owner of a bookstore, recommends two books for June: “A Room with a View” and “Charlotte’s Web,” reflecting the season’s arrival.

Nik recounts a day in Snorewood, highlighting the farmers market, a new coffee shop, and the arrival of summer. Maureen, inspired by the change in season, creates a new menu for her coffee shop, embracing clarity and authenticity. The episode ends with a sense of anticipation for the summer ahead.

The Roundabout

The Snorewood Gazette, published every Thursday, features a letter from Councillor Terry Bouchard about the roundabout on Maple Avenue. Terry, who believes the roundabout is a success, is frustrated by its detractors and calls an emergency meeting of the Parks and Waterfront Committee. Meanwhile, Maureen, owner of a local shop, is excited about a new coffee shop opening with lakefront seating, seeing it as a potential competitor.

Priya, a yoga studio owner, ends her day with a ritual of saying “Good day” before leaving. Meanwhile, Terry Bouchard, a committee member, presents a detailed defence of the Maple Avenue roundabout to the Parks and Waterfront Committee, using data, historical context, and animated diagrams to advocate for its implementation. Despite the committee’s limited capacity to make immediate decisions, Terry’s presentation aims to create an official record of the roundabout’s merits.

In the small town of Snorewood, residents engage in their evening routines. Doug assesses the lake, giving it an eight out of ten, while Maureen finds contentment in her new home. Bev recommends “The House at Pooh Corner” as a May read, and Nik documents the night’s events, including the lake’s “eight” rating and the arrival of the stars.